![]() Cheviot, while usually rolling over for his greatest client, did not do so when they attempted to supplant television networks themselves.īryce Lynch ( Chris Young), a child prodigy and computer hacker, is Network 23's one-man technology research department. He once had an affair with board member Julia Fornby, though by the start of the show they had ended it long ago. However, he has compromised himself on a few occasions when he felt the ratings for the Network would rise using methods that were questionable such as allowing the network to copyright the exclusive news of a terrorist organization, and mixing sex and politics. He is mostly ethical and almost invariably backs Edison Carter, occasionally against the wishes of the Network 23 board of directors. He later becomes the board's new chairman after Ned Grossberg is fired in the wake of the Blipvert incident. Morgan Sheppard, was one of only three cast members to also appear in the American-made series that followed.Ĭheviot ( George Coe), was one of the executives on Network 23's board of directors. Theora Jones was played by Amanda Pays, who along with Matt Frewer and W. Network 23's personnel files list her father as unknown, her mother as deceased, and her brother as Shawn Jones Shawn is the focus on the second episode broadcast, "Rakers". She was also a potential love interest for Edison, but that subplot was not explored fully on the show before it was cancelled. She was Network 23's star controller ("stolen" from the World One Network by Murray) and, working with Edison, the network's star reporter, she often helped save the day for everyone. Theora Jones first appeared in the British-made television pilot film for the series. While he occasionally played a significant part in a plot-sometimes by traveling through networks to gain information or by revealing secrets about Carter that Carter himself would not divulge-his most frequent role was as comic relief, delivering brief quips in reaction to certain events or giving a humorous soliloquy at the end of an episode. While Carter is a dedicated professional, Max is a wisecracking observer of human contradictions.ĭespite being the titular character, Max sparsely appeared on the show. headroom" on a parking garage gate, these were the reconstruction's first words and ultimately his name. Since Carter's last sight before the motorcycle crash was the sign "Max. He appears as a computer-rendered bust of Carter superimposed on a wire-frame background. ![]() Max Headroom (Frewer) is a computer reconstruction of Carter, created after Bryce Lynch uploaded a copy of his mind. Edison was sent on a near-rampage to avenge a former colleague, who died as a result of a story on dream-harvesting.Įdison cares about his co-workers, especially Theora Jones and Bryce Lynch, and he has a deep respect for his producer, Murray (although he rarely shows it). He met a female televangelist (whom he had dated in college) when his reporting put him at odds with the Vu Age Church that she now headed. The series depicted very little of the past described by Edison. Eventually, one of these instances required him to flee his workspace, upon which he was injured in a motorcycle accident in a parking lot. The only real check on the power of the networks is Edison Carter, a crusading investigative journalist who regularly exposes the unethical practices of his own employer, and the team of allies both inside and outside the system who assist him in getting his reports to air and protecting him from the forces that wish to silence or kill him.Ĭharacters Edison Carter Įdison Carter ( Matt Frewer) is a hard-hitting reporter for Network 23, who sometimes uncovered things that his superiors in the network would have preferred be kept private. Almost all non-television technology has been discontinued or destroyed. Television technology has advanced to the point that viewers' physical movements and thoughts can be monitored through their television sets. Even the government functions primarily as a puppet of the network executives, serving mainly to pass laws-such as banning "off" switches on televisions-that protect and consolidate the networks' power. ![]() In the future, an oligarchy of television networks rules the world. The story is based on the Channel 4 British TV film produced by Chrysalis, Max Headroom: 20 Minutes into the Future. ![]() The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. Max Headroom is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988.
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